Richard

No Australian debt facilities is correct. May 2016 revenue was only $6 million, so if the park is genuinely losing $5-10 million a month with significantly reduced costs during shutdown and the majority of wages covered by JobKeeper (there's say $1-2 million in costs) then insolvency is what they deserve, pandemic or not. The three options to repair their balance sheet mooted by AFR and echoed by other investment reports suggests they can do three things: sale-and-leaseback (a la VRTP), sell a stake in Main Event or raise equity. We know with certainty that the first two have been on the cards and/or actively pursued by Ardent in recent times.

Which parts? Senior management quoted saying they require funding to build it? That their plan was to fund its construction with cash flow from a business that was already running at a loss? Their lack of a debt facility in Australia to draw from? At no point does the article suggest it won't be built; it's probable it will. If you can point to any certainty as to how or when they'll achieve that then please do.

This discussion continues in a more orderly fashion over here:

Just to clarify @Jobe, this personal gripe several members have doesn't belong in Chit Chat -- or on Parkz anywhere. As @djrappa said we may go through and clean up the removed thread when one of us gets a chance, but there were several pages of insults and conjecture that far cross the line of rigourous debate and the best course of action in the middle of the night was to simply remove the entire topic. The point you reference has been there many years verbatim and you'll have agreed to it in the past when we've updated the T&Cs. The only change to the terms and conditions was this one sentence: You may not dox or share another person's personal or private information on Parkz.

If there's one thing they could do for their casual staff, it's offer some modicum of stability right now. Telling them to expect to be back at work in a few weeks time -- when it's all but certain they won't be -- seems grossly irresponsible when people are scrambling for temporary work or welfare support.

When your market cap is lower than the sum total of your assets - liabilities, and it’s only the start of a major global downturn, I’d be worried. With their current cash on hand + previously negotiated loan/credit facilities they can’t weather this for very long. And what bank is going to bail out a company that’s not even worth the sum of its parts? The last half was dismal for both Main Event and Dreamworld... and that’s without the impact of coronavirus. If they’ve got good insurance then we’ll likely see them shut up shop for a while as we’re starting to see happen around the world. That’s a best case scenario for the short term. First thing to go will be future capex. There goes the five year plan. And you can absolutely bet that there’s very real conversations happening right now about whether the coaster will go ahead this year.

The market on the whole has experienced huge losses in recent weeks so that's what we're seeing with Ardent to some extent. Few examples however have been as dramatic as Ardent. They've slashed about two-thirds of their market cap in the past month and they're one of the 'biggest losers' on the ASX in 2020. Inquest findings and growing coronavirus fears obviously play into it but inquest findings are not unforeseen and Ardent's share price losses outpace the rest of the market amid coronavirus uncertainty. Remember too that investors at the time of the accident completely wrote off Dreamworld in share price losses. Ardent also wrote down its book value of Dreamworld to the point where the land is presumably worth more than the entity. Dreamworld's value to investors is strictly in terms of potential, not performance. The half year results were not great. Main Event is floundering in a supposedly flourishing US economy. That business hit a wall several years ago and seems lifeless as ever of late. Dreamworld saw a 2.9% attendance growth off the back of Sky Voyager and a concerted effort at special events. That kind of negligible growth from historic lows following major investment and a more focused marketing strategy than we've seen in years is a big red flag and I wouldn't be so quick to say that the park is back on track because they've painted a few things and held some nice events. It looks like there are wider confidence issues surrounding Ardent Leisure. Three years ago a property developer and a corporate raider joined forces, bought up about 10% of Ardent and waged a public war to gain control of the Ardent board. Their pitch was that they knew how to fix Ardent with a three year plan to deliver $1 billion to investors. They got their board seats and now three years on about $700 million in market cap has disappeared. Their own investment in the company has lost them somewhere up near $70 million. On the plus side they've learnt a valuable lesson that just about anyone could have told them: you can't flip a theme park. Anyway that's the short version of the article I would have written in recent weeks if I had the time/inclination. Just throw in a bit more sarcasm and some big words.

Dreamworld’s senior management team is appointed by and reports to Ardent. They negotiate and accept remuneration and bonuses tied to the performance of Dreamworld and in many cases share-based incentives that put their motives directly in line with that of the parent company. There were no evil corporate overlords forcing decisions upon a hapless Dreamworld team. Just systemic and cultural failings at every possible level of the organisation. You can perhaps argue that Dreamworld as a brand (or some other intangible concept) was a victim of its owners’ shortcomings but to suggest that Dreamworld as an organisation is a victim takes away a lot of blame that falls to them for many, many short-sighted, naïve and demonstrably reckless decisions in the years both before and since Ardent took ownership.

I don’t know anything about contractors pulling out and I never said you have to trust anyone, least of all me...

For what it's worth, senior management at VRTP reached out to me many months ago when it became apparent that there'd be delays at Sea World and brought me in on the nature of these delays off the record. By the same token I've not had any communication from Dreamworld while public statements surrounding the past year's closures and delays are a shifting narrative riddled with inconsistencies and omissions. Speaking only for the editorial position of Parkz, we can either be on the outside looking in or the inside looking out.

Second prize is a 10 year pass.

That's a lot of words to defend a ride that'll be closed pretty soon. 🙂

Same goes for having a campaign that is all about having a campaign. VRTP are transparently emulating the Thredbo ads you see at Event cinemas but fall flat along the way — turns out you can’t fake heart. Dreamworld meanwhile realise they can’t focus on substantive in-park experiences because they’ve removed most of them, so they’re going all gimmicks and as a result not actually saying anything at all. It’s all a bit self-congratulatory and on the nose from both companies. Here’s one I prepared earlier. Mostly still applies for both brands. https://www.parkz.com.au/article/2017/04/27/487-VRTP_needs_to_fundamentally_rethink_their_message_and_marketing.html

As it stands they can't move a buggy carrying tensa barriers two metres down Main Street without half a dozen attendants passive aggressively shooing anyone in a 50 metre radius. Good luck with a permanent ride. By any observable metric, Doomsday and surrounds was wasted capital. It was a very well executed concept that was... doomed... from the start because it was all wrong. It was meant to draw guests away from the front of the park but the attraction they chose was simply not strong enough to be able to do that. Then throw in the interactive elements that are aimed at a totally different audience from the ride. What we have is a ~$10 million spend on something that looks nice but doesn't achieve what they wanted it to. You only need to look at how quiet this area is even at peak times to see that this is the case.

Could just be the pizza oven is kaput for a month so they're bringing Mexican items back from that failed attempt to breath life into Parkway just so they've got something to sell in that prime location. And good to see paper straws? Nope. Plastic straws are wasteful. Paper straws are wasteful AND useless. Would rather see businesses ween functioning adults off sippy cups by not offering straws, period. And for my money the pizza on offer at Dough Bros is pretty much the best simple food on offer at any of our theme parks. Lightyears ahead of the decorated cardboard they call pizza at Movie World and beats any of the parks' attempts at burgers.

A few things worth considering: Rivals had a (planned) delay of several months between foundations being laid and track showing up. Like Rivals which started preliminary groundwork in late August, that's already happening at Dreamworld. Reports out of Germany suggest track is already being fabricated. So don't necessarily expect a delay between foundations and vertical construction this time.

Is it a fun ride that will be popular for years to come? Yes. Does it have significant flaws in the ride system, film production and overall ride/pre-ride experience? Yes. Both of these are true statements whether or not you're familiar with similar rides around the world.

Village doesn't own the Wet'n'Wild name in the US so that's a different set of circumstances. The Sydney local market directly impacts the Gold Coast tourism market unlike regional US water parks that have no bearing whatsoever on each other. Maintaining complete ownership of the Wet'n'Wild name in Australia would have been very important to Village in this deal. Not sure why anyone would feel disappointed about losing the WNW name in Sydney. VRTP did their very best to destroy the brand and associated goodwill with that park. It's just a name, logically it was always going to happen and it's in everyone's best interests. Village can restore faith in the WNW brand by investing at the Gold Coast (we're waiting...), Parques Reunidos can draw a line in the sand and operate Raging Waters without the baggage of six failed seasons (they get to disappoint people on their own terms).

OK joke's been done. Can we try and stick to commenting on current affairs?

It's worth pointing out that the coaster layout shown in the artist's rendering is not the final product. There were three iterations of the coaster layout by Martin & Vleminckx / Gravity Group. The finalised layout is the one depicted in the scale model: https://www.parkz.com.au/photo/19332-Leviathan_model/gallery/sort/newest/location/ride-4166-Leviathan/offset/0

@CaptainLazerGuns, you've come into this discussion with vague assertions and straw man fallacies. Responses have been made to you in a rational, respectful manner. I write articles like this to get people to think and react so I'm more than happy for respectful discussion/critiquing but as it stands all you've really offered is ad hominems about the community at large. Even that would probably be fine were you not claiming to be taking the high road while simultaneously goading members and dishing out bizarre pejoratives about lists and gifs (it's 2019?) that don't actually exist in this thread and rarely at all in these forums. By all means share your opinions, but expect replies. This attitude of taking your ball and going home because others disagree really has no place here.

Everything I said above applies here. Let's steer this one back on topic.

What you're calling a negative bias and an echo chamber is backed up by investors, market analysts, and finance publications like AFR. It's backed up by social media comments in the wider public. It's backed up by attendance patterns and corresponding performance of the respective park operators. At this point I don't think the onus is on this "echo chamber" to prove you wrong, when you've seemingly misinterpreted the article and then ignored every respectful rebuttal to your arguments.

At $15-plus million a piece these were never intended as band-aids. Investors are sceptical. Industry insiders are sceptical. Would-be guests are sceptical. There's plenty of justification for scepticism and in this case measured optimism about this latest development, and that's what this article is about. As for disappointment, I'm probably missing what you're getting at here. At a quick glance, I see commentary to the effect of "this is good" no less than six times throughout the article and nothing resembling disappointment.

In an effort to nip this in the bud before it becomes a thousand pages long... let's talk about 2020 wooden coasters (or whatever) in this thread, but 2019 domes (or whatever) over here: